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Channel 4 Commissions New Apocalyptic Comedy ‘Everyone Else Burns’, Starring Simon Bird

Channel 4 wins rights to FIFA Club World Cup UAE

Channel 4 has commissioned a new six-part comedy Everyone Else Burns from JAX Media and Universal International Studios, a division of Universal Studio Group. Everyone Else Burns explores life in a hyper-religious community and asks: how does an idiosyncratic family navigating modern day life protect themselves from eternal hell fire?

The series boasts an exciting ensemble cast led by Simon Bird (Friday Night Dinner, The Inbetweeners), and includes Kate O’Flynn (Landscapers, Death in Paradise), Amy James-Kelly (Gentleman Jack, The Bay, Safe), Lolly Adefope (Shrill, Chivalry, Feel Good), Al Roberts (Stath Lets Flats, Starstruck), Soph Galustian (Pedk’Eds), Harry Connor, Ali Khan (The School for Good and Evil, Halo), Lloyd Griffith (Ted Lasso, It’s a Sin), Kadiff Kirwan (This is Going to Hurt, I May Destroy You, Timewasters), Morgana Robinson (Newark, Newark, Taskmaster), Arsher Ali (Avenue 5, Funny Girl), Liam Williams (Pls Like, Ladhood), Kath Hughes (After Life, The Joy of Missing Out), and Seb Cardinal (The Witchfinder, Sally 4Ever).

Everyone Else Burns is a coming-of-age comedy about a Mancunian family and the puritanical Christian sect they are devoted to. Will patriarchal David Lewis (Bird) ever ascend the church ranks and become an Elder? Will dutiful wife Fiona (O’Flynn) deviate from her own dogmatic moral compass? Will their naïve 17-year-old daughter Rachel be allowed to go to university, and will 12-year-old son Aaron ever fend off his secular bullies? All could lead to damnation. Everyone Else Burns is a subversive, authentic and bitingly funny exploration into what it feels like to balance faith, family and identity in a world that could end tomorrow (but probably won’t).

Everyone Else Burns is written by Dillon Mapletoft and Oliver Taylor, directed by Nick Collett (Maxx, Ghosts) and co-produced by JAX Media and Universal International Studios, a division of Universal Studio Group. Executive producers include Jax Media’s Tony Hernandez and Brooke Posch. JAX Media’s Molly Seymour will produce the series.

Laura Riseam, Channel 4’s Commissioning Editor, said “Jax Media have made some of the most iconic comedy of recent years and we are so delighted to be working with them, Universal International Studios, Oli and Dillon on a project they are so passionate about. We can’t wait for audiences to enter the pressure cooker of life with the Lewis family as they righteously try and defend the ideology and logic of a life of purity with the vices of the modern world encroaching fast. It’s a glorious comedy trap; contemporary, relevant and very funny.”

Beatrice Springborn, President of Universal International Studios, said “Everyone Else Burns is an irreverent, hilarious and heart-warming series from the brilliant creative minds of Dillon and Oliver. We’re excited to be partnering with JAX Media and Channel 4 to bring this show to life.”

Brooke Posch, President of JAX Media said: “We are thrilled to announce our first JAX UK original from the brilliant minds of Dillon and Oliver and our partners at Universal International Studios. There is no better home than Channel 4 to champion such a brilliantly fresh and subversive comedy.”

Everyone Else Burns was commissioned for Channel 4 by Head of Comedy, Fiona McDermott and Commissioning Executive, Laura Riseam.

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Strawberry Blond TV wins double commission for Channel 4 and More4

Strawberry Blond TV wins double commission for Channel 4 and

Strawberry Blond TV has been commissioned to make two new series for Channel 4 and More4.

Huge Homes with Hugh Dennis sees the actor and comedian unlock the doors to some of the largest domestic dwellings across the UK. In a celebration of everything massive, Hugh explores a variety of gigantic homes from the colossal Broughton Hall with its own private railway to a jaw-dropping island fort off the coast of West Wales.

Over four episodes, Hugh will see astonishing conversions and meet eccentric owners as he journeys through a gargantuan domestic wonderland. Along the way, he’ll tell the stories of each immense property and he’ll also be getting his hands dirty with some of the tasks needed to keep the huge homes in full working order – including cleaning chandeliers and a marathon six hours of hoovering.

Strangers on a Plane is a new stripped daytime format that sees five strangers compete to prove they can holiday better than anyone else. At the start of the week, five holiday-hungry Brits jet off to the same popular holiday destination for a five-day getaway, with each traveller taking control of the group’s activities for 24 hours.

As each holidaymaker takes their turn to plan their perfect day, they must make the key decisions: what accommodation everyone stays in, where they all eat, what activities the group does and what the evening entertainment is. The sky’s the limit on imagination but the budget is set and if they overspend, they could soon end up with a holiday nightmare.

At the end of each week, the group votes on who planned the best day, with the winner enjoying another week in the sun with a friend or family member. Everyone has a different idea of what makes a good holiday and these strangers on a plane will need to please more than just themselves if they’re to emerge a holiday hero.

Gill Brown, commissioning executive for Channel 4, said: “I’m thrilled to have commissioned two hugely entertaining series from the team at Strawberry Blond. Hugh Dennis is the perfect tour guide around an eclectic mix of fantastic, not to mention gigantic, homes that I’m sure our More 4 audience will find fascinating, while Strangers on a Plane is set to be a wild and raucous daytime delight on Channel 4. I can’t wait to see what our holidaymakers get up to.”

Steve Wynne, CEO, Strawberry Blond TV, said: “We’re now only pitching shows that involve going on sunny holidays or looking around massive houses – luckily Channel 4 loved both ideas. It’s a dream to be making two original series for More4 and Channel 4 – they both have the humour and warmth that runs through Strawberry Blond.”

Huge Homes with Hugh Dennis is a 4×60’ peak series for More4 and Strangers on Plane is a 20×30’ daytime series for Channel 4. Both series were commissioned by Jo Street, Head of Daytime and Features and Gill Brown, commissioning executive for Daytime and Features at Channel 4. The series are made by Strawberry Blond TV’s Scotland base. Steve Wynne is executive producer of Strangers on a Plane and Audrey Neil is executive producer of Huge Homes with Hugh Dennis.

Huge Homes with Hugh Dennis will air on More 4 later this year and casting for Strangers on a Plane is underway now. To apply to take part, visit: strangersonaplane.co.uk.

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BBC examines the work of T.S. Eliot at the centenary of The Waste Land

BBC examines the work of T.S. Eliot at the centenary

Programmes across TV and radio examine the life and work of one of Britain’s most influential writers.

This year the BBC marks the centenary of T.S. Eliot’s groundbreaking work The Waste Land with a range of programming across the BBC looking at his life and work.

Beginning on 10 July on BBC Radio 3 and BBC Sounds, He Do The Wasteland In Different Voices will see the poem performed for the first time as if an audio drama, the text unchanged from the original, but with a focus on the collection of voices within it. Permission was granted from the Eliot estate to mark the centenary with this new adaptation.

Recorded word for word, the performance features an ensemble cast including the likes of Paul Ready (The Terror; Motherland), Maggie Steed (Ten Percent); Adrian Edmondson (The Young Ones) and David Haig (My Boy Jack; Killing Eve) as they bring the characters from the poem to life. They include the mysterious Madame Sosostris who, in a seedy room, turns the cards; a poet and his wife, both miserable in their marriage, waiting for something to happen, and a street prophet with visions of the future finding his faith tested.

Capturing the slipperiness and unease of the post-war period, the performance will also feature the work of award-winning sound designer David Thomas. Carefully created to evoke a sense of fractured time, with haunting whispers of catastrophes to come, the sound remains faithful to the themes of anxiety, loss and anger found within the text as well as the uncertainty of the modern age we currently live in.

The programme will be preceded by a feature about the poem, with leading Eliot scholars Dr Lyndall Gordon, Professor Mark Ford, Professor Seamus Perry, Professor Stephen Connor and Nancy Fulford, archivist for the T S Eliot Estate. Taking listeners into the Eliot archive, the feature will contextualise the text and provide insight into Eliot’s own inspirations as well as the story behind the Waste Land.

Later this year on BBC Two and iPlayer is T.S. Eliot: Into ‘The Waste Land’, a new documentary uncovering the hidden personal story behind Eliot’s creation of his celebrated poem, directed by Susanna White.

For decades, Eliot actively discouraged biographical interpretations of his work, developing an ‘impersonal theory’ of poetry in which the private life of a poet was deemed irrelevant. But in 2020 there were dramatic new revelations which uncovered that, behind Eliot’s mask, there was a much more personal story to be found within The Waste Land.

In January 2020, more than 1000 of Eliot’s private letters were unsealed at Princeton University Library, 60 years after they were first deposited there. These letters to his confidante and muse Emily Hale have finally unveiled Eliot’s hidden heart, and the personal breakdown behind the creation of his most famous work. Eliot’s letters illuminate what appears to have been a complex yet unspoken emotional triangle within the poet’s life in which he was pulled between his troubled relationship with his first wife Vivien, and his enduring feelings for his first love, Emily Hale.

Both women appear to have played key roles in the genesis of the poem.

Moving through all five sections of the poem, the documentary explores many different facets of The Waste Land, from Eliot’s state of mind during each phase, to the different places where it was composed. Featuring contributions from actor and director Fiona Shaw and composer Max Richter; poets Hannah Sullivan and Daljit Nagra; Eliot’s biographer Lyndall Gordon, Vivien’s biographer Ann Pasternak Slater and Faber Poetry Editor Matthew Hollis. Simon Russell Beale performs specially recorded readings of the poem, in conjunction with Eliot’s own hypnotic reading of his work.

In October on BBC Four and BBC iPlayer, Ralph Fiennes’ exquisite performance of T.S. Eliot’s poetic masterpiece Four Quartets is translated from stage to screen by director Sophie Fiennes. Early in the Covid pandemic, Fiennes set himself the challenge of committing Four Quartets to memory. Written by Eliot in the shadow of the Second World War, the poem is a searching examination of who – and what – we are. Four Quartets offers four interwoven meditations on the nature of time, faith and the quest for spiritual enlightenment in one of the poet’s final great works and the questions, imagery and emotions it produces still bear powerful relevance today.

On Radio 4 and BBC Sounds in November is Hold On Tight: The Women Of The Waste Land, arts writer and broadcaster Jude Rogers immerses herself in the worlds and the voices of the women inside and outside T.S. Eliot’s extraordinary poem. Blending historical and literary insight with radiophonic and aural magic and imagination, Jude’s explorations are arrestingly sound designed by producer Steven Rajam.

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Channel 4 appoints Charlie Perkins as Head Of Comedy

Channel 4 appoints Charlie Perkins as Head Of Comedy

Channel 4 has appointed Charlie Perkins as Head of Comedy. Charlie will report directly into Chief Content Officer Ian Katz and will manage a team comprising newly promoted Commissioning Editor Laura Riseam and Commissioning Executive Joe Hullait. Charlie will also oversee the appointment of a new Senior Commissioning Editor.

Ian Katz, Chief Content Officer, Channel 4 said: “Channel 4 comedy has always been about betting on brilliant and iconoclastic new talent and Charlie is squarely in that tradition. She has an unerring ear for funny, has nurtured and collaborated with some of Britain’s most exciting and distinctive comedy talent and had an ambitious and original vision for the future of Channel 4 comedy. With a succession of wonderful shows from Derry Girls to We are Lady Parts and Big Boys, Fiona McDermott has delivered a purple patch for Channel 4 comedy and, along with Laura and Joe, I’m convinced that Charlie will continue that success.”

Charlie joins the multi-award-winning Channel 4 Comedy department from Blink Industries where she was Head of Comedy, having begun her career working on shows such as Little Britain, French & Saunders, Benidorm and Mock the Week, moving on to become a Producer at the infamous alternative comedy venue The Invisible Dot, BBC Radio Comedy and Cave Bear Productions. In 2009, Charlie founded the Bristol Revunions whose alumni during her time included Jamie Demetriou, Charlotte Ritchie, Ellie White and Joe Hampson. In 2013, Charlie founded The Paddock comedy collective, an experimental, new material platform for performers and filmmakers. She is also one of the Co-Founders of the Live Comedy Association and Founder of the Free-Free Movement.

At Blink Industries, Charlie Produced cult comedy series Don’t Hug Me I’m Scared which will air on Channel 4 later this year and during her time there the company has been behind the hit Netflix 2D animated series Dead End: Paranormal Park as well as E4 short-form animated format Blind Love on a First Date Island; and C4 Blap Sam Campbell: Get Real Dude.

Charlie Perkins said: “Creating platforms and opportunities for people to develop and thrive in their work has been the primary focus of my career to date – prioritising creative freedom, originality, tenacity and passion. I’m unbelievably honoured to now get to do this at scale at Channel 4; the place where all of our favourite comedy shows come from, a place which has vitality, risk-taking and art at its very core. Comedy is tattooed on my soul and I cannot wait to get started.”

Charlie joins later this year. Recruitment is underway for the new Senior Commissioning Editor role.

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